Robert Havell & Augustus Pugin after William Findlater.

The opening of Waterloo Bridge on the 18th of June 1817.

An aquatint and line engraving by Robert Havell, with additional etching by Augustus Pugin, taken from the drawing of William Findlater, published in London in 1817.

Richard & Charles Rosenberg after James Pollard.

The Grand Entrance to Hyde Park.

Aquatint and line engraving by Charles and Richard Rosenberg after james Pollard, published by Messers Fores in London in 1844.

Bowles & Carver.

A North West View of the Tower of London.

An etching in original hand colour, published in London by Bowles & Carver circa 1790.

H. J. Whitlock

Lloyd's (Royal Exchange) and its Members, 1925.

A large-scale photogravure published by H. J. Whitlock in London in 1925.

Georg Balthasar Probst.

Customs House, the Tower of London and the Thames.

A charming etching in vibrant original colour, engraved by Probst and published in Augsburg circa 1770.

Edward Rooker after Canaletto.

A West View of London with the Bridge taken from Somerset Gardens.

An etching in original hand colour, engraved by Edward Rooker after Canaletto and published in London in 1794.

Patrick Begbie after Robert Adam.

View of the New Front, towards Bridges Street, of the principal entry to the Theatre Roya Drury Lane.

A scarce etching by Patrick Begbie after the drawings of Robert Adam, published in London in 1766.

Chez Daumont.

Vauxhall Gardens.

Etched on a copper plate, coloured by hand and published in Paris at the house of Daumont, circa 1760.

Thomas Bowles

The South West Prospect of London
From Somerset Gardens to the Tower

An etching in striking original hand colour, drawn and engraved by Thomas Bowles and published by Carington Bowles in London circa 1750.

John Bowles.

The Royal Palace of Hampton Court.

Hand coloured etching published by Carington Bowles as part of a topographical series, London circa 1790.

Benjamin Cole for Stow's Survey.

St. James's Palace and Parts Adjacent.

A copper plate engraving by Benjamin Cole issued in Stow's Survey of London in 1754.

George Godfroid Winckler after Robert Sayer.

[Perspective View of Whitehall] Vue Perspective a Londres de l'Admirauté du nouveau Batiment pour les Gardes a Cheval, Whitehall.

An etching with vibrant original hand colour; engraved by Winckler after Sayer and published in Augsburg circa 1760.

B. Leizel after Thomas Bowles

Vue de la Place de Leicester a Londres

An etching in distinctive, original hand colour by Leizel after the drawings of Thomas Bowles and published in Augsburg circa 1750.

J. Reeve after C. Wild

Grand Staircase Carlton House

A hand coloured aquatint by Reeve after Wild; published in Pyne's 'History of the Royal Residences' in London, 1819.

Robert Sayer

London Topographical Views

A perspective view of the Royal Stables at Charing Cross
A view of The Foundling Hospital
A view of the Royal Hospital at Chelsea & the Rotunda in Ranalagh Gardens
Lambeth, the Archbishop of Canterbury's Palace
A view of the Hospital of Bethlehem

A series of small scale etchings in original hand colour; published by Robert Sayer in London circa 1770.

Mademoiselle Fonbonne

Vue du Canal, du Batiment Chinois, de la Rotonde, et des Jardins de Ranelagh un jour de rejouissance

Etching in original hand colour engraved by Miss Fonbonne in Paris and published there circa 1770.

Vue d'Optique

Vue du Palais Roya Somerset de cote de la Thamise

An etching in original hand colour produced as one of a series of perspective views, or Vues d'Optique, in Paris circa 1760.

Vue d'Optique

Vue de Londres sur du cote du sud est depuis la Tour jusqu au Pont de Londres

Etching in vibrant original hand colour published in Augsburg circa 1750.

Rudolph Ackermann

Chelsea Hospital

Aquatint and line engraving drawn and engraved by Augustus Pugin and Thomas Rowlandson and published in Ackermann's Microcosm of London between 1808 and 1810.

Carington Bowles

A View of the Three Walks terminated by the Cassina, the Pavilion and the Rustic House in the Garden of the Earl of Burlington at Chiswick.

An etching on copper with original hand colour; taken from the drawings of J. Donowell and published by Carington Bowles in London circa 1760.

John Bowles

A View of Westminster Bridge from Lambeth

An etching on copper with strong, original hand colour; published by John Bowles in Cornhill and Carington Bowles in St. Paul's Church Yard, London circa 1760.

Joseph Constantine Stadler after Thomas Shepherd

A View of the Horse Guards from Whitehall

An aquatint in full original colour; engraved by Stadler after Shepherd and published in London in 1816.

Thomas Rowlandson and Augustus Pugin

The Mint

Aquatint in fine original colour, published in London in 1819.

Vue d'Optique

An inside view of the Rotundo in London

A hand coloured, copper plate engraving, published in London circa 1750.

Joseph Stadler after Farrington RA

Woolwich

Aquatint printed in sepia ink; engraved by Stadler after Farrington and published in Boydell's "History of the Thames" in London 1795.

Toms for Maitland

London Bridge

Copper plate etching by Toms; published in Maitland's "Survey of London" in 1756.

Toms for Maitland

The Royal Exchange

Copper plate etching by Toms; published in Maitland's "Survey of London" in 1756.

Vue d'Optique.

Vue Perspective de Couvent Garden (Perspective View of Covent Garden).

A copper plate engraving with original hand colour; published in Paris circa 1750.

Vue d'Optique

The South West Prospect of London

A hand coloured copper plate engraving published in London circa 1750.

Bowles and Carver

The Royal Palace of St. James's next the Park

A copper plate engraving with vibrant, original watercolour; published by Bowles and Carver in London circa 1800.

Bowles and Carver

A view of the Tower, with the Bridge & part of the City of London from the River Thames

A copper plate engraving in strong, original watercolour; published in London by Bowles and Carver circa 1800.

Thomas Miller

A View of the East Front of St. Paul's Covent Garden

An etching, drawn and engraved by Thomas Miller, depicting the church of Saint Paul's in Covent Garden; published by T. S. Simpson in London, 1796.

Johannes Kip after Leonard Knyff

The House at Chiswick in the County of Middlesex

A copper plate engraving by Kip after Knyff; published in Le Nouveau Theatre de la Grande Bretagne, London 1724.

Vue d'Optique

Whitehall
Vue de l'Hotel Royal des Gardes du Corps a pied vis a vis la Salle Blanche a manger a Londres

A copper plate engraving with original hand colour; published in Paris circa 1750.

Thomas Bowles

A view of the Mansion House appointed for the Residence of the Lord Mayor of London

A copperplate engraving in original hand colour; published in London in 1794.

Joseph Stadler after James Farrington

View of Greenwich and up the River

An aquatint engraving published as part of Boydell's "History of the Thames" in London in 1795.

John Harris after G. H. Laporte.

A View near Albert Gate.

An aquatint in original hand colour by John Harris after the painting by George Henry. Laporte (1799-1873); published in London by Rudolph Ackermann at his Eclipse Sporting Gallery in July 1847.

Joseph STADLER after Joseph Farington

View of Black Fryers Bridge from Somerset Place

Aquatint and etching printed in sepia, engraved by Joseph Stadler after the painting by Joseph Farrington and published in London in 1795.

John BOYDELL

A View of Privy~Garden Westminster

A copper plate engraving by John Boydell published in London in 1751.

Benjamin COLE after William Maitland

A Front View of the Royal Palace of Kensington

A copper plate engraving by Benjamin Cole published in William Maitland's "History of London" in 1756.

Benjamin READ

[Carlton Terrace &Whitehall.]

1. WHITEHALL TOWARDS TRAFALGAR SQUARE

2. CARLTON TERRACE NEAR THE YORK PILLAR

Two hand coloured aquatints (sold separately) published in London and New York between 1829 and 1839.

Robert HAVELL and Augustus PUGIN after William Findlater.

The opening of Waterloo Bridgeon the 13th June 1817.

Aquatint printed on colours and hand finished, published by Findlater in London, July 20th 1818.

Robert Sayer

A View of the Parade in St. James's Park

A copper plate engraving in original hand colour; published in London circa 1760.

Thomas Shotter Boys

Regent Street, towards Duke of York’s Column

A hand coloured lithograph published in a later edition of “Original Views of London As It Is”, in London circa 1870.

Robert POLLARD and Francis JUKES after Edward Dayes

VIEW of HANOVER SQUARE

A charming aquatint in original colour by Pollard and Jukes after the drawings of Edward Dayes; published in London in 1787.

Thomas Bowles after Canaletto

St. James's, Horse Guards Parade. A View of the Parade of St. James's Park, The New Buildings for the Horse Guards, The Admiralty with His Majesty going to the House of Lords &c

A copper plate engraving by Thomas Bowles after the painting by the Italian artist Canaletto; published in London by Robert Sayer of Fleet Street in 1753.

Sutton Nicholls

Buckingham House in St. James's Park

A copper plate engraving by Sutton Nicholls published as part of Stowe's Survey of London published in 1754.

Daniel Havell after H. Haseler

A View of London from near the Adelphi

A hand coloured aquatint by the famous topographical engraver, Daniel Havell, after the painting by H. Haseler and published in London circa 1820.

Westminster Abbey, St. Margaret's Church & The New Square From Parliament Street

A hand coloured copper plate engraving published by Robert Laurie and James Whittle in London in 1812.

Laurie and Whittle

The Banqueting-House, Whitehall

A hand coloured copper plate engraving published in London by James Whittle and Robert Laurie in London in 1815.

Prospectus Monumenti Erecti In Memoriam Funesti Incendiianno MDCLXVI.

A copper plate engraving of The Monument in the City of London, published in Rome circa 1750.

Anon

Vue de la Bourse Royale a Londres

A hand coloured copper plate engraving depicting the Royal Exchange looking down towards St. Paul's Cathedral, published inParis circa 1750.

J.C. STADLER after David LAING

A SOUTH VIEW OF THE NEW CUSTOM HOUSE. Reduced from a Drawing by D. Laing, Esq.r, the Architect.

1817.

D. HAVELL after Thomas SHEPHERD

A VIEW OF THE ROYAL EXCHANGE, CORNHILL.

1816.

James Bluck after Thomas Shepherd

THE QUADRANT, REGENT STREET

An aquatint in original colour by James Bluck after the drawing by Thomas Shepherd, published by Ackermann in London in 1822.

Thomas Picken after Walker

TRAFALGAR SQUARE, WITH THE NATIONAL GALLERY AND ST. MARTIN'S CHURCH

A lithograph, in original hand colour, by Thomas Picken after the drawings of Walker published in London in 1852.

Thomas Shepherd

CUSTOM HOUSE & LONDON BRIDGE

A hand coloured steel plate engraving by Chavanne after Thomas Shepherd, published in London in 1850.

Vue d'Optique

London Bridge

A copper plate engraving in original hand color, published in Paris circa 1750.

Vue d'Optique

Vauxhall Gardens

One from a group of six optical views depicting the pleasure gardens of eighteenth century London. Copper plate engravings in original hand colour published in Paris between 1750 and 1770.

Vue d'Optique

St. Paul's Cathedral [&] Westminster Abbey

A pair of hand coloured copper plate engravings published in Paris circa 1760.

Johannes KIP

The South Prospect of the Church of St. Clements Danes ~ London

A copper plate engraving issued as part of Johannes Kip’s monumental topographical work, Le Nouveau Theatre de la Grande Bretagne, in London in 1724.

Edward ROOKER after Paul Sandby

A View of St. James's Gate, from Cleveland Row

A copper plate engraving by Edward Rooker after the painting by Paul Sandby published in London in 1766 as part of Sandby's "London Views".

Georg Balthasar PROBST

A View of Westminster Bridge...

Hand coloured copper engraving by I.F. Leizel, published by Probst c.1780. 12 x 16¼"

Vue d'Optique

Vue Generale de la Ville de Londres.

A hand coloured copper plate engraving of London and the Thames showing St. Paul's Cathedral, published by Daumont in the Rue Saint Martin, Paris circa 1760. Framed.

Balthesar Frederic LEIZELT.

Coloured engraving, published in Augsburg, c.1750.

Richard HAVELL

View of Waterloo Bridge.

A hand coloured aquatint, published by Colnagi, in London, 1820.

Torres after Jacques Rigaud

A Prospect of St. James's Park

Etching in original hand colour by Torres after Rigaud and published in London by Laurie and Whittle in 1794.

W.H. Pyne.

[Set of six interiors of Carlton House.]

Six aquatints with fine hand colour, drawn by C. Wild and engraved by Sutherland, Reeve & Havell, published in London in 1819.

Henry Roberts

The Royal Palace of St. James's next the Park

A scarce etching by Henry Roberts; published in London circa 1750.

Daumont.

Vue Generale de la Ville de Londres.

An early hand coloured vue d’optique of London looking west from the Tower towards Westminster, published by Daumont in Paris circa 1750.

D.HAVELL after John GENDALL

SOUTH EAST VIEW OF ST. PAUL'S CATHEDRAL.

1818.

Thomas Bowles.

A General View of the City of London, next the River Thames.

A copper plate engraving in vibrant, original hand colour, drawn and engraved by Thomas Bowles and published in London by Laurie and Whittle in 1794.

Bowles and Carver.

The Royal Palace of Kensington.

Hand coloured etching published by Bowles and Carver as part of a topographical series in London circa 1790.