H. C. Richter after John Gould.

SURNIA FUNEREA (Hawk Owl).

Lithograph in meticulous hand colour, drawn on stone by Henry Constantine Richter after John Gould and published in Gould's "Birds of Great Britain" in London between 1862 and 1873.

George Dennis Ehret.

Sherardia... Lilio-Narcissus... Arachidna.

A scarce etching in vibrant original colour engraved by George Dennis Ehret and published in his botanical work, "Plantae et Papiliones Rariores depictae et Aeri Incisae a Georgio Dionysio Ehret" in London, 1748-59.

Robert Havell after Edmund Havell.

View of Reading School & Playground
To the Rev.d R. Valpy, D.D. F.A.S. and the Gentlemen of Reading School by their very humble and respectful servant Edmund Havell.

A scarce etching and aquatint engraved by Robert Havell after Edmund Havell and published in London in 1816.

Samuel Sparrow after Joshua Kirby Baldrey.

The West Front of King's College King's Chapel and Clare Hall, Cambridge.

Etching by Samuel Sparrow after J. K. Baldrey, published in Cambridge in 1807.

William Elwes.

Crib uncorking Blackstrap.

A hand coloured etching by William Elwes, published in London by Thomas Tegg in 1811.

Thomas Rowlandson

Madame Romain.
La Belle Liminaudiere au Caffee de Mille Collone, Palais Royale Paris.
Madame Very Restaurateur, Palais Royal Paris.

A pair of hand coloured etchings by Thomas Rowlandson, published in London in 1814.

Thomas Rowlandson

Medical Dispatch or Doctor Doubledose Killing Two Birds with One Stone

An etching in full original hand colour, engraved by Thomas Rowlandson and published by Thomas Tegg in London in 1810.

Thomas Rowlandson.

Muck Worms. [&] Glow Worms.

A whimsical pair of hand coloured etchings by Thomas Rowlandson, published in London in 1812.

Francesco Bartolozzi after Angelika Kauffman.

Coriolanus. From an original painting in the collection of George Shepherd Esq.

A stipple plate engraving printed in sanguine ink, engraved by Bartolozzi after Angelika Kauffman and published in London in 1785.

John Jones after William Redmore Bigg

Black Monday or the Departure for School. [&] Dulce Domum or the Return from School.

A pair of colour-printed mezzotint engravings by John Jones after the paintings by W. R. Bigg, published in London in 1790.

Richard Earlom after Frans Snyders.

A Herb Market in The Gallery at Houghton.

Mezzotint engraving by Richard Earlom after Frans Snyders, published by John Boydell in London in 1779.

William Ward after George Morland.

The First of September Morning.
[&]
The First of September Evening.

A pair of colour printed mezzotint engravings by William Ward after George Morland, published in London in 1794.

John Raphael Smith.

The Promenade at Carlisle House.

A mezzotint portrait in oval setting, drawn and engraved by J. R. Smith and published in London in 1781.

Robert Havell & Augustus Pugin after William Findlater.

The opening of Waterloo Bridge on the 18th of June 1817.

An aquatint and line engraving by Robert Havell, with additional etching by Augustus Pugin, taken from the drawing of William Findlater, published in London in 1817.

Richard & Charles Rosenberg after James Pollard.

The Grand Entrance to Hyde Park.

Aquatint and line engraving by Charles and Richard Rosenberg after james Pollard, published by Messers Fores in London in 1844.

Thomas Dutton after N. M. Condy.

The Cutter Yacht "Cynthia", 50 tons (from the original picture in the possession of John Wicks Esq.) Dedicated by permission to the Commodore & Members of the R. T. Y. C. by their obliged and humble servants Mess.rs Fores.

A tinted lithograph drawn on stone by Thomas Dutton after Nicholas Matthew Condy and published in London in 1850.

Thomas Dutton.

The Sutlej East Indiaman, 1200 tons
To Captain H. N. A. James & the Officers of the Ship, our print is respectfully dedicated by their obedient servant W.m Foster.

Hand coloured lithograph by Thomas Dutton, published in London by William Foster in 1847.

George Hawkins after Joseph Walter.

This plate of The Great Britain Steam Ship constructed of iron by Tho.s R. Guppy Esq...

A lithographic image, with original hand tinting, drawn on stone by George Hawkins after the painting by Joseph Walter and published in Bristol in 1843.

Laurie and Whittle.

Grand Cairo; the Metropolis of Africa.

An etching in vibrant original hand colour, published by Messers Laurie and Whittle in London in 1810.

Richard Houston after William Hoare

The Right Honourable William Pitt Esq.
One of His Majesty's Most Hon.ble Privy Council.

Almost life-size, half-length mezzotint portrait of Pitt the Elder, engraved by Richard Houston after William Hoare and published in London in 1766.

Charles Turner after Thomas Lawrence.

[Robert Stewart, Marquis of Londonderry.]

A three-quarter length mezzotint portrait (proof before title) engraved by Charles Turner after Thomas Lawrence and published in London in 1814.

Charles Turner after Thomas Lawrence.

Charles Viscount Whitworth
Lord Lieutenant of Ireland &c &c &c.

A three-quarter length mezzotint portrait engraved by Charles Turner after Thomas Lawrence and published in London in 1814.

Thomas Watson after Sir Peter Lely

[Windsor Beauties] From the Original Pictures in His Majesty's Collection at Windsor.
Barbara Dutchess of Cleveland
Elizabeth, Countess of Northumberlan
Amelia, Countess of Ossor
Lady Whitmore

A group of four, three-quarter length mezzotint portraits by Thomas Watson after the paintings by Sir Peter Lely, published in London in 1779.

Charles Turner after Juan Bauzil (Bauzit).

Field Marshall The Duke of Wellington.

A rare colour printed mezzotint portrait by Charles Turner after the Spanish artist, Juan Bauzil, published in London in 1816.

George Humphrey.

Coronation of His Most Gracious Majesty, King George the Fourth
An exact representation of the Procession from Westminster Hall to the Abbey, showing the appearance of the surrounding Buildings &c &c on the 19th July 1821.

An aquatint and etching partially printed in coloured inks and finished by hand, published by George Humphrey in St. James's Street in July 1821.

Charles Spooner after Jeremiah Meyer.

George the Third, King of Great Britain &c &c &c .

A crisp, half-length, mezzotint engraving by Charles Spooner after the portrait by Jeremiah Meyer, published in London circa 1760.

Francis Jukes after Charles Loraine Smith.

The Bilsden Coplow Day.
Inscribed by Permission to the Most Noble The Marchioness of Salisbury.
A view of Mr. Meynell's Hounds carrying a head with their second fox! at the end of a chase from Bilsden Coplow in Leicestershire past Tilton Woods Sheffington Earth's crossing the River Sour below Whetstone to Enderby Warren. Making a distance of twenty eight miles which was run in two hours and fifteen minutes on Monday the 24th Feb.y 1800.

A large scale aquatint in original colour, engraved by Jukes after Charles Loraine Smith and published in London in 1800.

Smart & Hunt after James Pollard.

Epsom Races Here They Come
To the Noblemen and Gentlemen of the Turf, and the Subscribers, this Print representing the Horses passing Tattenham Corner for the Derby Stakes is most respectfully dedicated by their obedient and much obliged Servants, S & J Fuller

A large-scale etching with aquatint and original hand colour, engraved by Smart and Reeve after Pollard and published in London in 1834.

George Townley Stubbs after George Stubbs

Baronet.

A stipple engraving by George Townley Stubbs after his uncle, George Stubbs, published in London in 1817.

James Ward.

Jem Ward's Picture of the Great Fight between Tom Sayers & J. C. Heenan at Farnborough April 17th 1860, for the Championship of England & America.

A large-scale lithograph by James Ward drawn on stone using photographs by Bonner, Bowers and Nichols and published in London by F. R. Schofield in 1860.

W. H. Davis

An Improved Short Horned Cow
Fed by Mr. Sam.l Bennett of Bickering Park, Bedfordshire which gained the first prize of 15 Sov in class VI at the Smithfield Club Cattle Show in 1836.

A hand-coloured lithograph painted and drawn on stone by W. H. Davis and published in London in 1837.

Fairland after Nicholson

A Pair of English Sheep

The Romney Marsh Breed [&] The Old Lincoln Breed

A pair of lithographs in original hand colour issued in David Low's "Illustrations of The Breeds of the Domestic Animals of the British Isles" in London in 1842.

F. Sala and Co.

Three to one

A scarce lithograph in vibrant, original colour, published in F. Sala and Co. in Germany circa 1870.

William Ward after Morland and Sartorius

Setters [&] Pointers

A pair of mezzotint engravings by William Ward after the paintings of George Morland and John Sartorius; published in London in 1806.

S. G. Hughs after Isaac Shaw

Travelling on the Liverpool and Manchester Railway

A Train of the First Class of Carriages, with the Mail
[&]
A Train of the Second Class for Outside Passengers

An aquatint engraving partly printed in colour and finished by hand, engraved by S. G. Hughs after Isaac Shaw and published in London by Rudolph Ackermann in 1833.

George Cruikshank after Frederick Marryat

The Headache

An etching in bold original colour, engraved by George Cruikshank after Frederick Marryat and published in London in 1819.

George Hunt after Theodore Lane

A Frost
[&]
A Thaw

A pair of amusing caricatures, etched on copper by George Hunt after Lane's designs and published in London in 1827.

Thomas Rowlandson

The Wooden Leg or Careful Landlady

A hand-coloured etching by Thomas Rowlandson, published by Thomas Tegg in Cheapside, London in 1810.

Thomas Rowlandson after George Moutard Woodward

Veneration [&] Admiration

A pair of hand-coloured engravings, etched onto copper by Thomas Rowlandson after the designs of G. M. Woodward and published in London in 1810.

Thomas Rowlandson after George Moutard Woodward

Anger [&] Attention

A pair of hand-coloured engravings, etched onto copper by Thomas Rowlandson after the designs of G. M. Woodward and published in London in 1810.

Thomas Rowlandson after George Moutard Woodward

Simple Bodily Pain [&] Acute Pain

A pair of hand-coloured engravings, etched onto copper by Thomas Rowlandson after the designs of G. M. Woodward and published in London in 1810.

Charles Williams

The King's Dwarf plays Gulliver a Trick

A rare etching in vibrant original hand colour, engraved by Charles Williams and published in London by S. W. Fores in 1803.

Johann Elias Haid

The Prodigal Son

The Prodigal Son asks his father for his inheritance.
The Prodigal Son leaves home.
The debauched life of the Prodigal Son.
The Prodigal Son returns home and begs forgiveness from his father.

Mezzotint engravings by Johannes Haid, published in Augsburg circa 1770.

Charles Knight after John Russell R.A.

The Favourite Rabbit
[&]
Tom and his Pigeons

A pair of hand coloured stipple plate engravings by Charles Knight after the Royal Academician, John Russell, published in London in 1792.

Sayer and Bennett

The Lovely Lavinia

Her form was fresher than the Morning Rose
When the dew wets its leaves; unstrained & pure
As is the Lily or the Mountain Snow

A mezzotint droll in original hand colour, published by Sayer and Bennett in London in 1784.

J. R. Smith [&] William Ward after the Rev. Peters

The Fortune Teller
[&]
The Gamesters

A pair of hand coloured mezzotint engravers by Smith and Ward after the paintings of the Rev. Peters RA

James Fittler after Lieut. Jahleel Brenton

The Sea Fight off Cape St. Vincent
To the R. Hon.ble John Jervis, Earl of St. Vincent Admiral of the Blue & K.B. And the Admirals, Captains &c of the Fleet, This Representation of the Sea Fight off Cape St. Vincent on the 14th February 1797 is humbly dedicated by their most obedient, humble servants J & J Boydell.

A set of 3 etchings by Fittler after the drawings of Captain Brenton; published in London in 1798.

William Woollett after Benjamin West

Battle at La Hogue

To the Right Honourable the Lord Grosvenor, This plate, engraved from a picture of The Battle at la Hogue in his Lordship's collection is dedicated by his lordship's much obliged and most obedient humble servants, Benjamin West and William Woollett

A large-scale battle scene, etched and engraved on copper by William Woollett after West's painting, published in London in 1781.

George Keating after George Morland

The Military Recruit

Trepanning a Recruit
Recruit Deserted
Deserter taking leave of his Wife
Deserter Pardon'd

A set of four mezzotint engravings, partly printed in colour and finished by hand, engraved by George Keating after George Morland and published in London in 1791.

Giovanni Cassini after Jean Barbault

Avanzi del Portico della Basilica d'Antonino oggide la Dogana di Terra.

A large scale, folio etching on copper by Giovanni Cassini after Jean Barbault, published in Rome in 1763.

Montagu after Jean Barbault

Veduta dell Esterno della Basilica di S. Pietro in Vaticano, Architettura di Michel-Angelo Buonarota.

A large scale, folio etching on copper by D. Montagu after Jean Barbault, published in Rome in 1763.

James Watson after Catherine Read

Miss Beatson

A half-length mezzotint portrait, engraved by James Watson after Catherine Read and published in London in 1768.

James Ward after Sir Thomas Lawrence

Sir Francis and John Baring and Mr. Wall

A large-scale, mezzotint engraving by James Ward after the portrait by Sir Thomas Lawrence, published in London between 1807 and 1811.

Laurie and Whittle

His Royal Highness, George Prince of Wales

A full-length mezzotint portrait, published by Laurie and Whittle in London in 1795.

William Pether after Thomas Frye

His Most Sacred Majesty George the III King of Great Britain &c [&] Her Most Excellent Majesty Charlotte Queen of Great Britain &c

A pair of mezzotint portraits with thickly applied gouache colour, engraved by William Pether after Thomas Frye and published in London in 1762.

Richard Gilson Reeve after Henry Alken

Pigeon Shooting

This plate represents the members of the Red-House Club Shooting for the Gold Cup (1828)
Dedicated by permission to the Noblemen and Gentlemen of the Red House Club by their Obedient Humble Servant, Benj.n Barling.

An aquatint in original hand colour, engraved by Reeve after the painting by Henry Alken and published in London in 1828.

Arthur Loraine for Thomas McLean

Pair of Racehorses

Diamond Jubilee [&] Ambush II

A pair of chromolithographed plates after the paintings of Nevison Arthur Loraine, published in London by McLean in 1900.

Richard Gilson Reeve after Francis Turner

Heaton Park Races
Most respectfully dedicated to the Gentlemen Subscribers to the Great Cup Race, Heaton Park Meeting 1835

A mint condition aquatint in full original colour, engraved by Reeve after the painting by Francis Turner and published in London in 1835.

William Ward after Henry Bernard Chalon

Thunder

A magnificent mezzotint engraving by Ward after Chalon, published in London in 1798.

Chinese watercolour

Brace of Oriental Pheasants

A beautiful Chinese watercolour depicting a brace of oriental pheasants in an exotic setting, painted in southern China circa 1860.

Edward Lear

Calyptorhynchus Baudinii [Baudin's Cockatoo]

A lithograph with original, hand coloured tinting, drawn and lithographed by Edward Lear and published in London, 1832.

Charles Turner

Snipes [&] Woodcocks

A pair of colour printed mezzotints representing the 3rd and 4th plates from "The British Feather Game", published in London in 1810 by Rudolph Ackermann at his Repository of Arts.

Samuel & Nathaniel Buck

The South West View of Melton Constable in the County of Norfolk, the seat of Sir Jacob Astley Bart.

Copper plate etching by Samuel and Nathaniel Buck, published in London in 1741.

John Clark for Smith and Elder

The Town of Stirling.

A large, single-issue aquatint in original hand colour; engraved by John Clark and published in London in 1824.

George Cruikshank

An Interesting Scene on board an East-Indiaman, showing the effects of a Heavy Lurch, after dinner.

A hand coloured etching by George Cruikshank, published in London in 1818.

Thomas McLean

Living Made Easy
1. Charity Tubes to convey the smell from the Tables of the Rich …
2. Glass Covers for Noisy Children
3. Prescriptions for Scolding Wives
4. Body Fanner, Nut Cracker and Wine Helper for the Heats of Summer
5. Easy Way of getting through the Dreariest Day of December
6. Apparatus for Timid Horsemen

A very funny set of six hand coloured etchings by Thomas McLean published in London in 1830.

William Hamilton

Etruscan Vase Design (number 74)

Copper plate engraving in original colour from the second volume of William Hamilton's "Collection of Etruscan, Greek and Roman Antiquities from the Cabinet of The Honble. W. Hamilton", published in Naples in 1767.

Pietro Bettelini & Giuseppe Fabris after Tommaso Minardi

Milone Crotoniate (Milo of Croton)

An etching by Bettelini [&] Fabris after Minardi, published in Rome in 1824.

Johann Elias Haid

L'Aprés-dineé

A charming half-length, female portrait in mezzotint published in Augsburg by J. J. Haid and Sons circa 1770.

Thomas Cook after William Hogarth

Before [&] After

A pair of copper plates, etched engravings by Thomas Cook after the original paintings by William Hogarth, published in London in 1797.

Thomas Baston

His Majesties Ship the Blenheim

A delightful etching in bold original colour depicting HMS Blenheim, one of the gunships of the Royal Navy. Engraved by Elisha Kirkall after Thomas Baston and published in London circa 1760.

Edward Duncan after W. J. Huggins

H. M. Armed Cutter the Active

A large-scale, hand coloured aquatint engraved by Duncan after Huggins, published in London in 1830.

F. C. Lewis after Jason Green

To Samuel Compton Cox Esq. Lieutenant Colonel Commandant, The Officers and Gentlemen of the Bloomsbury and Inns of Court Association, this plate is by permission respectfully dedicated by their most obedient servant John Wallis Junior.

A hand coloured aquatint of Samuel Compton Cox (1757-1839), engraved by Lewis after Green and published in London in 1804.

Jacques Firmin Beauvarlet after Drouais

The sons of Count Bethune

A most unusual etching on copper by Drouais after Beauvarlet, published in Paris, circa 1760.

Valentine Green after van Dyke

Sir Thomas Wharton

A full-length mezzotint portrait by Valentine Green after Sir Anthony van Dyke, published by Boydell in London in 1773.

John Harris after E. Brown

Caractacus

A large scale aquatint engraving by Harris after Brown: published in London in 1862.

Edward Duncan after Frank Howard

The Derby Won

A scarce, hand coloured aquatint by Edward Duncan after F. Howard, published in London in 1833.

Alfred Charles Havell for Messrs Fores

Waiting for the Verdict, Newmarket [&] The Parade, Kempton

A large-scale pair of chromolithographed plates depicting famous racecourses, published by Fores (after Havell's designs) in London in 1892.

Charles Rosenberg after James Pollard

A Stage Coach

An aquatint in original hand colour, engraved by Rosenberg after Pollard and published in London in 1828.

J. Barenger.

The Famous Lincolnshire Ox.

An aquatint with original hand colour after the painting by J. Barenger and published in Hull in 1823.

William Davey after J. Bateman.

The Lost Beauty.

A colour printed etching and aquatint by William Davey after the painting by J. Bateman and published in London circa 1860.

William Ward after Thomas Weaver

The Unrivalled Lincolnshire Heifer

A hand-coloured, mezzotint engraving by William Ward after the painting by Thomas Weaver and published in Lincolnshire in 1813.

Isaac Cruikshank.

The last Grand Ministerial Expedition on the St. Piccadilly.

A hand-coloured etching by Isaac Cruikshank, published in London by S. W. Fores in 1810.

Robert Cruikshank.

The Royal Mail without Opposition.

A hand-coloured etching by Robert Cruikshank, published by Thomas McLean in London in 1827.

Robert Smirke for J & J Boydell.

Shakespeare, The Seven Ages of Man.

A set of seven colour printed stipple engravings depicting the Seven Ages of Man from Shakespeare's As You Like It (Act II Scene VII). Published by J. and J. Boydell in London in 1801.

Thomas Cook after William Hogarth

An Election
1. An Election Entertainment
2. Canvassing for Votes
3. The Polling
4. The Chairing

A set of four copper plate engraved plates by Thomas Cook after the original paintings of William Hogarth, published in London in 1801.

Thomas Cook after William Hogarth.

March to Finchley.

A copper plate engraving, etched by Thomas Cook after the original paintings of William Hogarth, published in London in 1801.

Bowles & Carver.

A North West View of the Tower of London.

An etching in original hand colour, published in London by Bowles & Carver circa 1790.

H. J. Whitlock

Lloyd's (Royal Exchange) and its Members, 1925.

A large-scale photogravure published by H. J. Whitlock in London in 1925.

Vue d'Optiques or Optical Views

[Pair of river scenes in the Nanking region of China.]

Engraved on copper by Francois (Franz) Xavier Habermann and published in Augsburg circa 1750.

Vue d'Optiques or Optical Views

A very decorative and vibrantly coloured group of six optical views depicting harbour scenes from around Europe.
1. Spinolla Palace in Genoa
2. Bremen from the Grand Bridge
3. Minorca from the Fort of St. Philippe
4. The Palace at Genoa
5. Port of Mahon, Minorca
6. Minorca from the port of Mahon

Engraved on copper by various individuals after a variety of artists, these splendid optical views were all published collectively in Augsburg circa 1750 as a 'Collection des Prospects'.

Vue d'Optique.

View of the front of The Louvre next to the church of Saint Germain des Auxerrios.

A copper plate etching in original hand colour; engraved by Balthazar Leizolt as a part of a "Collection of Prospects" published in Augsburg circa 1750.

John Jones after Sir Joshua Reynolds.

The Right Honourable Charles James Fox.

Three-quarter length mezzotint portrait of Charles Fox; engraved by John Jones after the painting by Joshua Reynolds and published in London in 1784.

J. S. Paul after Sir Joshua Reynolds.

The Right Honourable Georgiana, Lady Viscountess Spencer and Her daughter the Hon.ble Miss Georgiana Spencer.

A three-quarter length, mezzotint portrait of Lady Spencer and her daughter, engraved by J. S. Paul after Reynolds and published in London in 1771.

Thomas Watson after Sir Joshua Reynolds.

Lady Bampfylde.

A full-length mezzotint engraving by Thomas Watson after the portrait by Joshua Reynolds, published in London in 1779.

John Harris after John Francis Herring

The Flying Dutchman and Voltigeur
Running the Great Match at York on the 13th of May 1851, for 1000 Sovereigns a side

A large-scale aquatint in full original colour; engraved by John Harris after J. F. Herring and published in London in 1851.

John Clark after Henry Alken

Hunting Dogs

1 Stag Hounds
2 Terriers
3 Pointers
4 Water Spaniels
5 Setters
6 Spaniels

A group of six aquatint engravings with original hand colour, engraved by John Clark after the drawings of Henry Alken (1785-1851) and published in London by Thomas McLean in 1821.

O'Brien for Haines & Sons

The Four Seasons

1 Spring
2 Summer
3 Autumn
4 Winter

A set of four hand coloured copper plate engravings done by O'Brian for Haines and Son and published in London in 1797.

Johannes Weinmann

Four Fruits

Four copper plate engravings published for Johannes Weinmann's famous botanical work, Phytanthoza Iconographia, in Germany between 1737 and 1745.

Isaac Cruikshank after George Moutard Woodward.

A Consultation of Doctors on the case of Sir Toby Bumper.

An etching in vibrant original colour, etched by Isaac Cruikshank after Woodward's drawing and published in London in 1807.

Thomas Rowlandson for Tegg's Caricatures

A Hitt at Backgammon.

A grotesque caricature (in exceptionally vibrant, original colour) etched by Thomas Rowlandson and published as part of Tegg's collection of Caricatures in London circa 1810.

Thomas Rowlandson after James Dunthorne.

The Hypochondriac .
The Mind distemper'd, say what potent charm,
Can Fancy's spectre, brooding rage disarm?
Physics prescriptive, art assails in vain,
The dreadful phantom floating cross the brain.

A rare and large-scale aquatint etched on copper by Thomas Rowlandson after the drawing by James Dunthorne and published in London in 1788.

Pierce Tempest after Marcellus Lauron

Cries of London

1 Old Satten, old Taffety or Velvet
2 Buy my Dutch Biskets
3 Hott Bak'd Wardens Hott
4 Ripe Strawberryes
5 Buy my Dish of great Eeles
6 Sis pence a pound Fair Cherries

A group of six charming etchings by Pierce Tempest published in London in 1711.

Gaugain & Hellyer after James Northcote

Diligence and Dissipation

1. The Modest Girl and the Wanton, Fellow Servants in a Gentleman's House
2 Good Advice from an Old Servant to the young ones
3 The Wanton in her Bedchamber
4 The Modest Girl in her Bedchamber
5 The Wanton turn'd out of doors for Misconduct
6 The Modest Girl rejects the illicit addresses of her Master
7 The Wanton revelling with her Companions
8 The Good Girl receives the honest addresses of her Master
9 The Wanton dying in poverty and disease visited by the Modest Girl
10 The Good Girl married to her Master. The Wanton laid in her grave

A scarce set of ten, large scale stipple plate engravings with original watercolour, published in London between 1796 and 1797. The plates are engraved by Thomas Gaugain and Thomas Hellyer after the original paintings by James Northcote R.A.