Thomas Dutton after N. M. Condy.

The Cutter Yacht "Cynthia", 50 tons (from the original picture in the possession of John Wicks Esq.) Dedicated by permission to the Commodore & Members of the R. T. Y. C. by their obliged and humble servants Mess.rs Fores.

A tinted lithograph drawn on stone by Thomas Dutton after Nicholas Matthew Condy and published in London in 1850.

Thomas Dutton.

The Sutlej East Indiaman, 1200 tons
To Captain H. N. A. James & the Officers of the Ship, our print is respectfully dedicated by their obedient servant W.m Foster.

Hand coloured lithograph by Thomas Dutton, published in London by William Foster in 1847.

George Hawkins after Joseph Walter.

This plate of The Great Britain Steam Ship constructed of iron by Tho.s R. Guppy Esq...

A lithographic image, with original hand tinting, drawn on stone by George Hawkins after the painting by Joseph Walter and published in Bristol in 1843.

Thomas Baston

His Majesties Ship the Blenheim

A delightful etching in bold original colour depicting HMS Blenheim, one of the gunships of the Royal Navy. Engraved by Elisha Kirkall after Thomas Baston and published in London circa 1760.

Edward Duncan after W. J. Huggins

H. M. Armed Cutter the Active

A large-scale, hand coloured aquatint engraved by Duncan after Huggins, published in London in 1830.

Currier and Ives.

Trans-Atlantic Steamships

The Magnificent Steamship PARIS of the American Line
The Magnificent Steamship NEW YORK of the American Line
Twin-screw Steamer CAMPANIA of the Cunard Line
The Mammoth Iron Steamship GREAT EASTERN
Cunard Steamship SERVIA
The New Steamship UMBRIA of the Cunard Line
The Magnificent Steamship TEUTONIC of the White Star Lin
The Magnificent New Steamship CITY OF ROME of the Anchor Line
Twin-screw Steamer LUCANIA of the Cunard Line
The Magnificent Steamship MAJESTIC of the White Star Line

A series of 10 lithographs in original hand colour; published by Currier and Ives in New York 1880s and 1890s.

Richard Reeve [&] Robert Cruikshank after Hans Holbein.

This print from a drawing of the Great Harry in the possession of Her Royal Highness Princess Victoria by R. Cruikshank…

A large-scale, hand coloured aquatint by Richard Reeve and Robert Cruikshank after the painting by Hans Holbein, published in London in 1834.

Thomas Baston

The British Navy

The Royal Ann, a first rate ship carrying 100 Guns and 780 Men
The Royal Sovereign, a first rate Ship carrying 100 Guns and 850 Men
The Barfleur, a second rate ship carrying 90 Guns and 680 Men with a view of the Squadron Commanded by Lord Torrington in the Mediterranean

A fascinating group of three etchings in bold original colour depicting various battle ships in the Royal Navy. Engraved by Baston, Harris and Sartor after the designs of Thomas Baston and published in London circa 1760.

Thomas Dutton after T. S. Robins

The Kestrel R.Y.S.
The property of the late Earl of Yarborough

A large scale lithograph in original hand tinting; drawn on stone by Thomas Dutton after the painting by Thomas Sewell Robins and published in London by Messers Fores in 1847.

Thomas Dutton after N. M. Condy

The Leda Yacht R.W.Y.C.

A hand coloured lithograph by Thomas Dutton after the painting by Nicholas Condy; published in London by Fores in 1860.

Currier and Ives

Sinking of the Steamship OREGON of the Cunard Line

A lithograph in original hand colour published by Currier and Ives in New York in 1878.

Thomas Davidson.

Nelson's Last Signal at Trafalgar.
England expects that every man will do his duty.

A large black and white photogravure, commissioned by The Illustrated Sporting and Dramatic News and published as a special supplement in London in 1912.

Thomas Dutton after F. L. B. Bedwell

H.M.S. Calcutta 84 Guns
In a gale on the 22nd April 1858, in the Gulf of Pechill China.

Tinted lithograph by Dutton after Bedwell's drawing and published in London by Day and Son in 1858.

Thomas Dutton

[A Pair of East India Company Trading Ships]

The ALFRED, EAST INDIAMAN, 1400 TONS.
To Captain A. Henning & the Officers of the Ship...
[&]
The EARL BALCARRAS, EAST INDIAMAN, 1488 TONS. To Mess.ss J. F. & I. Somes, Capt.n H. Morris & the Officers of the Ship...

A pair of hand coloured lithographs, drawn and lithographed by Thomas Dutton and published by William Foster in London circa 1870.

Edward Walker after O. W. Brierly

Fatshan Creek
The Raleigh's gig sinking, and crew disabled, Commander Keppel, shaking his fist at the enemy exclaims, "You Rascals, I'll pay you for this" To Rear Admiral Sir Michael Seymour K. C. B. &&& This print representing part of the attack by the Boats of the Fleet under the command under the reserve of the Enemy's Junks in Fatshan Creek on the 1st June 1857, is respectfully dedicated by The Publishers

A hand coloured lithograph by Walker after Oswald Brierly; published in London in 1857.

Thomas Dutton after Oswald Brierly

H.M.S. Agamemnon, 91 GUNS

Getting Under Weigh from Scotland

Lithographic print with original hand colour. Lithographed by Thomas Dutton after the painting of Oswald Brierly and published by Rudolph Ackermann in the Strand, London in 1853.

Thomas Dutton after Oswald Brierly

H.M.S. St. Jean D'Acre, 101 GUNS

A magnificent lithographic print on wove paper with original hand colour. Lithographed by Thomas Dutton after the painting of Oswald Brierly and published by Rudolph Ackermann in the Strand, London in 1854.

Vue d'Optique

Temps Calme

Copper plate engraving with original hand colour published by Mondhare in Paris circa 1750.

Carington Bowles.

[Naval Engagements of Admiral Rodney]
A representation of the memorable action between the British Fleet under the command of Admiral Sir George Brydges Rodney Esq. and the Spanish Fleet commanded by Don Juan De Langara off Cape St. Vincent in the evening of 16th January 1780. In the above engagement which was in tempestuous weather and shoal water Sir George captured the Phenix the finest ship in the Spanish service and five more of the line... [&] A representation of the memorable action between the British Fleet under the command of Admiral Lord Rodney and the French Fleet commanded by the Count de Grasse between the Islands of Dominica and Guadaloupe 12th April 1782. In the above action was captured the French Admiral the Count de Grasse in La Ville de Paris of 110 guns...

A pair of copper plate engravings with extraordinary watercolour and gouache colouring; published in London by Carington Bowles circa 1790.

Thomas DUTTON

THE START FOR THE GREAT ATLANTIC RACE
December 11th 1866 To the Commodore & Members of the New York Yacht Club, this print is respectfully dedicated by their most obedient servant, William Foster

A large scale lithograph, drawn and lithographed by Thomas Goldsworth Dutton; published in London in 1867.

P. W. Tomkins after I. T. Serres

TO ADMIRAL SIR HYDE PARKER, Kt. COMMANDER IN CHIEF, Vice Admiral Lord Nelson and Rear Admiral Thomas Greaves, THE Captains, Officers, Seamen, Marines and Soldiers of the BRITISH FLEET, THIS PLATE representing THE ATTACK of the DANISH FLEET and BATTERIES off COPENHAGEN, the SECOND OF APRIL, 1801, Is dedicated with the greatest respect by their most Obedt. Hble. Servt. P. W. TOMKINS.

An aquatint and line engraving by Tomkins after the painting by Serres, commemorating the Battle of Copenhagen; published in London, three months after the battle, in July 1801.

James Ward after J. Singleton Copley

THE VICTORY OF LORD DUNCAN
To the Right Honourable George John Spencer, Earl Spencer, Viscount Althorp, First Lord Commissioner of the Admiralty, Knight of the Most Noble Order of the Garter, LLD &c &c This Work is by his Lordship's permission respectfully Dedicated by his Lordship's much obliged and most humble Servant J. S. Copley

A large scale mezzotint engraving by James Ward after the painting by John Singleton Copley; published in London, August 1800.

Thomas Hellyer after Thomas Whitcombe

The Battle off CAMPERDOWN fought on the 11th October 1797. This plate is respectfully dedicated to LORD VISCOUNT DUNCAN, the OFFICERS and SEAMEN who so gloriously fought under the command of JOHN BRYDON.

A large aquatint engraving by Thomas Hellyer after the painting by Thomas Whitcombe; published in London in 1799.

G. Parsons after Samuel Walters

Collins Line USM Steamship ATLANTIC James West Commander

A magnificent lithograph with original hand colouring; executed by C. Parsons after the painting by Samuel Walters and published in New York in 1850.

C. Parsons after Samuel Walters

ROYAL MAIL STEAM SHIP SCOTIA 4050 TONS, 1000 HORSE POWER. Captain C. H. E. Judkins Off Cape Race throwing overboard the New York Associated Press Parcel

A large hand coloured lithograph by Charles Parsons after Samuel Walters; published in New York by Currier and Ives in 1867.

The Scotia was the finest and the last paddle steamer to be built for trans-Atlantic service. It was built in the shipyards of Glasgow and painted when it was in dock at Liverpool. It made regular journeys across the Atlantic between Liverpool and New York. In this image the ship is pictured off the coast of Newfoundland at Cape Race.

J.W. EDY after Robert Cleveley.

[Battle of Cape St Vincent.] To the Earl of St Vincent the Officers & Crew under his Lordship's Command this view of the Gallant Action...

Aquatint printed in colours and hand finished, engraved by J.W. Edy after Robert Clevelely, published by John Harris in London, 1797.

Currier & Ives.

The Magnificent Stemship "New York" of the American Line.

Coloured lithograph published in New York by Currier & Ives circa 1893.

Thomas DUTTON

H.M.S Calcutta 84 Guns
In a gale on the 22nd April 1858, in the Gulf of Pechili, China.

Lithograph with gentle tinting; lithographed by Thomas Goldsworth Dutton after the drawing of Captain Bedwell and published by Day and Son in London circa 1860.

Thomas Dutton after Samual Walters

The Model Yacht "Truant" 3½ tons. The property of R. M. Grinnell Esq. Built by Mr. R. Fish of New York 1852. The winner of three races in Liverpool and two in Ireland.

A lithograph in original hand colour by Thomas Dutton after the drawing by Samuel Walters, published in Liverpool in 1853.

John Raphael ISAAC

OCEAN MONARCH of NEW YORK. The Ship "OCEAN MONARCH" OF NEW YORK, 2145 Tons

A tinted lithographed on wove paper, published by John Raphael Isaac in London circa 1856.

Pierre Mortier.

Coupe dune Amiral de 104 pieces...

Copper engraving with original hand colour, published by Mortier in Amsterdam c.1700.

N. CURRIER after F. Palmer

ROYAL MAIL STEAM SHIP, ARABIA

A hand coloured lithograph by N. Currier after the painting by F. Palmer, published in New York in 1853.

Thomas Goldsworth DUTTON after N. Condy

H.M.S. THUNDERER. 84 GUNS

A hand coloured lithograph by Dutton after the painting by Condy and published by Day and Haghe circa 1850.
T. DUTTON after N. Condy.

Charles ROSENBERG after William HUGGINS.

The Right Honourable Lord Yarborough's Yacht, the Falcon or 351 Tons.

Aquatint printed in colours, engraved by Rosenberg after Huggins, published London 1835.

Thomas DUTTON

The SIBELLA, 721 TONS

By Thomas Goldsworth Dutton after his own drawings, produced by Day and Haghe and printed by William Foster in London circa 1850.

Hubert [&] Stadler after Captain Brenton

The Second Battle of Algeciras To Sir James Saumarez Bar.t and Knight of the Bath, rear Admiral of the Blue &c, This Plate representing the condition of the British Squadron on the morning of the 12th July 1801, at the time the Caesar hauled out of Gibraltar Mole to pursue the enemy's fleet under way off Algeciras is with permission dedicated by his most obedient, humble servant Edw.d Harding.

Large scale aquatint in original colour; engraved by Stadler and Hubert after the painting by Captain Jahleel Brenton and published in London in 1802.

Thomas Dutton after John Lynn

The RYS Cutter Heroine 35 tons, heading the Alarm 193 tons , and Corsair 84 tons.
While beating to the westward, off Cowes in a Match for the Ladies' Cup 19th August 1845, Blowing hard with a Heavy Sea. To Sir John Rivett Carnac Bart. This print is with permission respectfully dedicated by his obedient servant John Lynn

A hand coloured lithograph by Thomas Galsworthy Dutton after the painting by Lynn; published in London in 1846.